Posts Tagged ‘emma thompson’
Lately I’ve had a lot of Harry Potter conversations. I’d say the general consensus on favorite HP book is probably between 3 and 4 (#3 being my favorite… probably) and 5, 6, and 2 as being the least celebrated. I didn’t realize so many people hated #5 until recently – it’s actually one of almost-favorite calibre IMO. Most say that it’s all cuz of that Umbridge lady. They say she’s annoying. I say she’s well-written. To each his (her) own.
Order of the Phoenix picks up in the summer after Harry witnessed Voldemort’s return and Cedric Diggory’s death (sorry, did that ruin it for you? oh.) The catch? Nobody believes him. Well, no one except for his usual buds and a group of boss rebel adults who call themselves the Order of the Phoenix. Unfortunately, the Ministry of Magic has greater influence than this tiny army, so Harry and Dumbledore get a lot of crap thrown at them. Including the BIGGEST B in a Defense Against the Dark Arts teacher that Hogwarts has ever seen. Harry ain’t pleased with the way things are goin’ especially with everyone ignoring the killer of an elephant in the room so he takes matters into his own hands…. again… and forms a rebel group of his own.
Hats off to Mrs. Imelda Staunton, first of all. Holy mother, she captures that evil cat-woman’s essence with a pink sweater and a Cruciatus Curse in pocket. Perfect choice, mr. casting person, sir. No one can say that the Harry Potter franchise didn’t try for English acting talent cuz golly they’ve got the best of the best. Professor Dolores Umbridge rivals Gilderoy Lockhart as the smarmiest, so awful that you’ve gotta love kinda character to have appeared from Rowling’s creation. She sweeps in, essentially takes over the school with her government reign, and tortures little twelve-year-olds as a disciplinary measure. I mean, who writes that kinda stuff? Another great new addition is Evanna Lynch as Loony Luna Lovegood. She’s definitely a strange character, but Lynch portrays her as more endearing than off-her-rocker. Helena Bonham Carter too jumps on the ride as lady-Death Eater Belatrix Lestrange, another crazy character that was well played. Lastly, though he’s nothing new, I must throw in some Gary Oldman love. Yates does a good job of re-creating a Lupin/Harry relationship like in Cuarón did in Azkaban. Sirius is one of the greatest characters and Oldman fills that role with dignity.
JK Rowling has been asked who her favorite character was before. Her response is, of course, Harry. He’s her baby, if you will. With that in mind, I re-read the boks and soon realized that Harry was also my own favorite character. Harry has a bit of all of us in him, everyone can relate to him at some point in his crazy life. I feel like Harry does a LOT of growing up in this particular novel (and movie). This is where he realizes that, yeah, his life ain’t fair and yeah, it’s tough being Harry Potter, but who freaking cares. You gotta step it up, pal, or Voldemort’s gonna win. He becomes the leader he was meant to be. And who ISN’T an annoying, whiny teenager at some point? I feel like, though they kinda skip over a lot of his angst (probably okay for the movie, that might have been too much to handle) we see Harry turn a new leaf. He’s gone from accidental hero to leader of the pack. And that’s cool stuff to watch.
With that in mind, OotP has that heart and emotion and we really do get to know Harry better. After such a sad disappointment in 4, I was pleased as punch to see that David Yates could respectably salvage this series and push it forwards to the magical opus it had the potential to be. Each director will be remembered (though I can’t say much for Newell) but Yates will be the one that Harry Potter fans will always whole-heartedly applaud for carrying it to a satisfying and mature end. His mark on Order of the Phoenix pushes things back towards character development and heart, not crazy dragon chases and action-packed duels. Though there’s plenty of that too. The Dumbledore’s Army scenes are pretty dang fantastic to gawk over (almost, though not quite, an homage to the little-kid wonder and awe with the magic stuff), and that Dumbledore/Voldemort duel at the end is filled with some sick special effects. But those DA scenes would be nothing without Hermione stupefying Ron, Neville triumphantly disarming something, and Harry sharing his hard-learned wisdom with eager youngsters, wanting to do their part for the greater good. Gone are the wide-eyed little kids. Here are the ready to fight teenagers with something to prove. They stand up for what they believe in and they’re in it to make a difference. They’re unified, and their relationships with one another are emotionally grounded. Like I said, there’s heart and stuff.
Watson, Grint, and Radcliffe have finally reached a level where I, as a fan, am fully satisfied with their role as the fearsome threesome. I have no complaints for those three. Michael Gambon is still not Richard Harris, but he’s definitely getting there. Alan Rickman is still boss, and Yates also did well with some back-story stuff too. There’s all the other thousand of adult actors who masterfully play even the smallest of roles (Maggie Smith, Robbie Coltrane, Jason Isaacs, David Thewlis, Julie Walters, Brendan Gleeson, and Emma Thompson even!) I’m also pleased with the way the other kids are growin’ up – Matthew Lewis in particular. I love Neville. And, of course, there’s Ray Fiennes as the Big V – and words really can’t say what that evil dude does for the movie.
I feel like I always talk about the acting in these Potter reviews. You can’t blame me, the acting is definitely one of the most appealing elements with all those big names – and the characters are what make the books amazing. But there is a wonderful mystique and awe that goes beyond all that. The spells are getting more complicated, and the world of witchcraft and wizardry is expanding. The special effects, music, lighting, coloring, all that good crap contributes in their own ways to the finished product and I guess that’s worth mentioning. So, there.
I wish there was more Order of the Phoenix stuff – more Lupin especially – but I don’t regret their editing decisions. That’s a TON of material to cover, let’s get real. And, even though things are getting darker in wizard-town, there’s still that humor and wit that makes this series great. Fred and George stand alone as lovable comic relief with explosive escapes and Weasley’s Wizard Wheezes. The writing is humorous and Hermione’s getting more and more rebellious by the day. All in all, this has everything that I love about Harry Potter in here. I cheered, I cried, I applauded. Expecto Patronum. 8/10
#3 picks up where Chamber of Secrets let out, after another awful summer with Harry’s worst aunt and uncle (Richard Griffiths, Fiona Shaw – I don’t think I’ve mentioned yet how freaking perfect they are as those snobs. So, take note of that). Things in the wizarding world are a little hectic with You-Know-Who supporter slash mass murderer named Sirius Black (Gary Oldman) on the loose, having recently broken out of the high security Wizard Prison Azkaban. Word on the street is he’s out for Harry’s head on a platter. Annnnd that he’s responsible for selling James and Lily to Voldemort in the first place. Creepy, cloaked, Dark-Rider resembling, soul-sucking prison guards patrol the school grounds on the lookout, though they do far from comfort. Harry’s cocky teenage swagger significantly falters around the Dementors as they embody his haunting past and cause him to relive his worst memories.
See ya, Chris Columbus, it was nice knowing you. Welcome Alfonso Cuarón… director of Y Tu Mama Tambien? Wait, wait, did I hear that right? Pretty sure that’s as far from kid friendly as you can get so how Cuarón got roped into a Harry Potter movie I have no idea. But man does he do wonders to the atmosphere. From the get-go things take on a much more dramatic feel. Gone are the squeaky voices, gone is the upbeat twinkle music. The castle’s gotten a major make over, hogs heads are directing wizard public transportation, and most importantly – teenagers can be teenagers (thank you for letting them wear normal clothes when they’re not in class… they ARE normal people). The moment they enter Hogwarts, Harry and his buddies are joking in the common room with much less staged-dialogue. True, our kid actors have grown in their talent and depth, but they also seem less restricted under Cuarón’s reign.
This may be my favorite of the books. And that’s saying a lot. It’s different from all the others, doing without an appearance from our big bad boy Voldemort. Best of all, it introduces two of the BEST characters in the entire franchise. Remus Lupin (David Thewlis) and Sirius Black himself. Lupin is Harry and the gang’s new (and improved) Defense Against the Dark Arts teacher. Not only does he know how to teach a boss lesson, he becomes a true friend and confidant to Harry. The scenes with the two of them are precious gems of emotional exchanges. He’s the brother/father/cool uncle that Harry has never had. He treats him like an adult, he guides him, he helps him battle his fears. David Thewlis plays the role so subtly, so easily. If anything, he makes the movie worth it – as well as to see their relationship develop. Gary Oldman is just a mastermind – playing the crazy convict like, well, a crazy convict. Another great addition is Emma Thompson as the Divination teacher, Professor Trelawney. Her prediction frenzy and paranoia clash excellently with brainy Hermione (Emma Watson) – who is popping in and out of classes more randomly than popcorn. But seriously, all of these awesome British actors – even for such a small role they show up (Julie Christie even!) Michael Gambon also joins the cast to replace the beloved Richard Harris as Dumbledore. I appreciate that he doesn’t try to be cookie cutter Harris, but his edgier take isn’t exactly what I was looking for either. He improves in later movies, but in this one he’s a little too forceful.
Unfortunately I do have a rather large gripe with an otherwise magnificent film. It essentially skips over the entire back story between James Potter, Lupin, Sirius, and Peter Pettrigrew (Timothy Spall) – a small but important character. Granted, this is a selfish and possibly immature opinion, but I just loveitsomuch. It’s hard to let go. The entire climax pre time-turner mischief felt rushed, and that’s unfortunate. I love back stories, I love origins, I love mystery-unfolding (I may have mentioned this before…) and when something is that dear to you, I can’t just accept that absence. Plus, more Gary Oldman screen time is NEVER a bad thing.
Two other things I will hate on is that ATROCIOUS CGI werewolf. Serious dislike. Second, I do not like that Malfoy (Tom Felton) is being made out to be a clumsy, screaming scaredy cat. I mean, I enjoyed Hermione’s excellent upper cut to his jaw as much as anyone else, but his character was never that immature in the book. Malfoy’s more than just Harry’s enemy. He’s a conniving snake, he’s borderline evil. It discredits his later role. But whatever.
Not only has the atmosphere been altered to better suit growing teenagers and adults, the cinematography too adds to the maturing themes. It’s dark, and shadowy, but also beautiful. Every shot of countryside or castle is breathtaking and a feast for the eyes. It’s like a painting. Everything’s more artsy, more quirky. Even if you didn’t like Harry Potter, it stands alone as a beautiful coming of age film. It reminds me of how beautiful he adapted A Little Princess. And the castle, though different from the first two films (irksome to my consistency elves) is new and improved. And beautiful. John Williams’ score is also different and moodier. Harry’s flight on Buckbeak the Hippogriff accompanied by Williams’ music is… so thrilling.
Our regulars are still good. Radcliffe, Grint, and Watson are better – Harry’s angrier and Ron has dramatically improved… Hermione’s just always good. But Maggie Smith, Alan Rickman (oh, Alan Rickman), and Robbie Coltrane are top notch as usual. Plus the aforementioned new additions. Part of me wishes Cuarón could’ve stayed on (at LEAST through the fourth one…) but I can’t hate on David Yates’ work. As long as I hold my tongue, I can appreciate the movie for its emotional character development and the overall imaginative beauty. 8/10
The darling Carey Mulligan stars as Jenny, a bright student in ’60s London with high hopes to get into Oxford. She loves reading, French culture and music, is an accomplished cellist, and basically just wants to learn all there is to learn. Then one day, the tall, charming, and suave David (Peter Sarsgaard) helps her get home in the rain. Yes, in the rain. He impresses her with his knowledge and cultured lifestyle, and she’s darn well swept off her feet. Jenny’s parents (Alfred Molina, and Cara Seymour) are strict, but naive. Even they are taken with David’s sophistication and wit. David cultures Jenny by taking her to plays, concerts, fancy restaurants, and even Paris. Jenny may or may not be falling for the middle-aged man, and his intentions may or may not be sinister.
First thing’s first: I’m a sucker for coming of age stories. I can’t remember if I’ve mentioned this on here yet or not. But it’s true. When I started hearing about this movie around award’s season last year I was so pumped to watch it. I must admit, I wasn’t disappointed and I might even say it exceeded my expectations.
It’s enchanting, really. Actually scratch that. Carey Mulligan is enchanting. I know I’m probably majorly influenced by the media but the thought couldn’t escape me how much she reminds me of Audrey Hepburn. Oh she’s darling. She makes the movie from some random teenage tragedy to something real. We are all surrounded by Jennys, or perhaps we ARE a Jenny, and she transforms this character into someone relatable and strong. She’s a strong, sharp heroine. Her love of life radiates in her eyes and her joy is contagious – even through the screen.
David too is an interesting character and well portrayed by Peter Sarsgaard, that sly dog. In many ways, he reminds me of the character Willoughby in Sense and Sensibility. There are moments where he seems genuinely interested in Jenny and enjoys her company. Then there are times where all he seems to want is some action. The two together make a good acting team and their relationship seemed plausible, albeit unfortunate.
The rest of the cast is solid too, featuring Olivia Williams, Rosamund Pike, Dominic Cooper, and Emma Thompson. The script by Nick Hornby (About a Boy) is also excellent and moving. A fine directing job by Lone Scherfig.
What sold me on this movie, though Mulligan is definitely the highlight, were the parents – Molina and Seymour. I love that they actually, what’s the word, exist? Too often are there stories where the parents play no factor into the ruin of teenage lives, but I love that these parents are obviously trying their best for their daughter and that they love her. They are a perfect example of concern, and love. The story (based off Lynn Barber’s memoir of the same name) seemed fresh and true. I mean, 16-year-olds make mistakes all the time. This is a great example to young girls that there is still potential to grow, even if something crazy happens to mess things up. The future awaits. I love that about this.
Another highlight is the music. It’s beautiful. The end.
Okay, so maybe this story isn’t so new. Maybe it IS just the same ol’ same ol’ that you get in any teen coming of age story. Maybe we HAVE heard this story a thousand times. But to me it felt different. It actually felt special. Maybe it just hit me in a certain way. I can’t really tell. But something touched me in this movie. It’s worth the watch anyway. 9/10
Last week we had a few hectic things happen and by the end of the week we had EARNED a vacation. My dad was on another island (like usual) and my mom and I decided to play it lazy and watch some movies. The best part was we weren’t even completely lazy. We even got some cleaning/organizing done at home too! Go us.
I was automatically drawn to this by stars Dustin Hoffman and Emma Thompson – but I didn’t realize just how endearing and magical this movie would be. The plot is nothing to go wild about (reforming man meets lonely woman blah blah) but there’s a real-life quality to the nonsense. The beauty of story telling is that it isn’t always about who’s the most innovative or the most risky. Sometimes it is the same plot over and over again, but that doesn’t mean it isn’t worth the watch. (Yes. Avatar is Pocahontas. But Avatar demonstrates something that Pocahontas, obviously, doesn’t).
I’d recommend this movie. See it for the leading couple. See it for London scenery. There are a few painful moments, it’s a little sad, but it ends well. And it’s Dustin Hoffman. Seriously.
My mom as always talked of this as her favorite James Dean movie. (you know… one of his THREE..) I watched it for the first time this weekend and loved it. It’s really sad to think of what James Dean could done with his career had he not died. He’s so spontaneous and believable. New favorite movie? probably.
Okay. This is pretty much all I have to talk about right now. Peace.