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Posts Tagged ‘mark ruffalo

oscars to the 83rd.

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It’s that time again guys.  I don’t know why I don’t get so excited for these.  But I do.  So don’t judge.

Some People Predict 2011. Go.

PICTURE: The Social Network
So King’s Speech has been getting the buzz lately, it took the SAG awards.  But I’m still sticking with the Facebook movie.  It’ll be close – this the toughest competition of the bunch.  Well, this and Director.

DIRECTOR: David Fincher – The Social Network.
And oh why wasn’t Christopher Nolan nominated for this??? Didn’t they add ten slots basically because of The Dark Knight’s omission in 2009? Sheesh.  That man better get his someday.

ACTOR: Colin Firth – The King’s Speech
I’m not as Mr. Darcy sick as many of my female friends… but I still love this man.  This is a crazy-great category though – I’d pull for Jessie Eisenberg, James Franco, Firth, AND Jeff Bridges if I could.  I don’t know much about Biutiful, but Javier Bardem is always good too.

ACTRESS: Natalie Portman – Black Swan
Yeah, I don’t have anything to say about this category. Go Natalie.

SUPPORTING ACTOR: Christian Bale – The Fighter
Love this guy, glad he’s getting some recognition.  I’m also glad Mark Ruffalo got a nom, I’ve liked him for a while.  I wish Andrew Garfield got somethin’ though!

SUPPORTING ACTRESS: Melissa Leo – The Fighter
I’m probably plugging for Amy Adams, though I’m stoked Hailee Steinfeld got a nod even if it should have been Best Actress.

I wish Tangled had been nominated.  But this deserves it no doubt.

ORIGINAL SCREENPLAY: David Seidler – The King’s Speech
I’m still plugging for Chris Nolan with Inception…
ADAPTED SCREENPLAY: Aaron SorkinThe Social Network
I already obsess over Aaron Sorkin with his work on The West Wing.  That guy can write.
This is a tough one.  It’s this or True Grit.
ART DIRECTION: Alice in Wonderland
Yeah, I just said Alice in Wonderland. Though the night before the Oscars I may change that to King’s Speech.
COSTUME DESIGN: The King’s Speech
They always go for the period pieces.
DOCUMENTARY (feature): Inside Job
DOCUMENTARY (short): No freaking idea.  Killing in the Name?
Because I’ve heard of it?  This also may change.  Because I just don’t know.
FILM EDITING: Social Network
I would have said Inception, sealed deal but oh wait it’s not nominated…
This is another tough category because these guys never get famous until after they win.  Maybe I should be better and pay attention to foreign films all the way along but eh, not worth it.
MAKEUP: Barney’s Version
I guess? Anything but Wolfman right?
MUSICAL SCORE: The Social Network – Trent Reznor and Atticus Ross
I’m for Hans Zimmer with Inception. And I think it’d take second.
ORIGINAL SONG: “Coming Home” – Country Song
Because it’s a country song… But it should be Randy Newman for Toy Story 3
I’m saying no contest?
Because I’ve heard of it?
It. has. to. be.

Looking forward to the 27th folks. See ya then.


Where the Wild Things Are (2009)

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It’s movies like this that remind me how great it is sometimes to be stuck and secluded on a tropical island.  I talked with several people who disliked Where the Wild Things Are because of all the “hipster-hype” – skinny-jeaned, indie music-lovin’ people obsessing over a film that they could “identify” with.  (Frankly, I’m a nerdy, indie-music lovin’, skinny jeaned person myself but seeing as, again, I’m one in a million on this island with such characteristics, that has nothing to do with it).  All that to say, I’m really gonna miss watching a popular movie without that added over-eager endorsement from peers at school or work.  The luxury of being able to objectively watch something will be sorely missed.

The movie is an adaptation of Maurice Sendak’s Caldecott Award-winning children’s book of the same name about a boy named Max who is sent to his room without supper, travels to “where the wild things are” through his imagination and becomes their king. I grew up on this story and have always loved the illustrations and creativity.

As far as the film goes… my objectivity served me well – I loved it.  In many ways I hardly know why I loved it.  Spike Jonze’s creation is nothing like I was expecting but I was fascinated with what I saw nonetheless.  I felt real child-like emotion and true earnestness.  What truly amazed me was the spontaneity protrayed through the creatures and Max.  They yell and fight and play and cry and are happy, then sad and don’t want to share and throw tantrums – all in five minutes.  Is that not like every child between the ages of 6 and 10?  The extremes may seem exaggerated but in all honesty its exaggeration was nothing but realistic.  The monsters were surprisingly complex (“Will you keep out the sadness?”) and had an honest feel to them.  I love the fresh feel of the Jim Henson-style puppet creations (Labyrinth!), rather than the usual overdose of CGI junk.

Many spoke of the feeling of hopelessness and sadness.  I agree to an extent though this didn’t bother me until several hours later.  While watching the movie I was nothing but entranced, fascinated, emotionally invested, and in awe of the visually stunning creation I was viewing.  The music also added immensely to the tone, and brought life to the story – plus I’m a Yeah Yeah Yeah’s fan.

If I could change one thing, I would change the ending.  In the book, Max returns from his adventure to find his supper waiting for him, as though everything were better.  The film ends differently, and I find it a shame.  I think that ending it the same way the book did would eliminate any remaining feeling of depression.  My opinion.

I should also credit Max Records.  He was excellent and terribly imaginative, as was the supporting cast (Catherine Keener, James Gandolfini, Catherine O’Hara, Forest Whitaker, and even Mark Ruffalo).  But this review has gone on long enough, however, the best part about this WHOLE ordeal is the trailer.  The Arcade Fire music rocks.  So, here’s the trailer in case you missed it:

In the words of KW “I could eat it up, I love it so.” 8/10